(i)
In the repose dances distance
wary of the
flick of the pencilburn, wary
too of armor
the blade and the stencil patched
with arbor and
the smell of corporeality – burnt
avidness about
(ii)
the small bit, the heavy bold auxiliary, the riot that spells rain – we call the blades by their name we slip on the timetables of a timeless parrot we give a little twist to the auxiliaries of emancipation and the rain spells riot, the names call out their blades, the bit is small in a parroted way: actual about auxiliary
(iii)
when the etch of a glass eye torments
shade when
the bulge of the rootness in your binge
supplements
you tear the pulmonary rasp you sting
as if your
ear your inner ear hurts by the sound
of reason &
you wait delicately carrying the burden
of treason
(iv)
This rut through which the green
passes, this
ponderance, often, etched, extempore –
we tend to
break often in estimation, the kinds
of wordplay
rendered are probabilistic, multi-
renditional
(v)
The large exuberance has tooth
In its stead; for ever the
Blade stunned with smear, with
Blade stunned with smear, the
Reason why everyone turns red
The large exuberance has brought
Sun, dew, twine, and the blood
Of christ where it was needed
Most, where it was needed most,
In the tunnel, in the window of
This harsh wool; the large exuberance
has blue in its eye; for ever the
Mother will stoke lucid care, stoke
Lucid care, stumble where it may, in
Void, rubble, the blare of heaven.
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